Plummer Connects With Toronto For "Imaginarium"...

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Toronto's Cherry Beach Sound, booked Canadian theater, film and television actor Christopher "The Silent Partner" Plummer" performing ADR for director Terry "Fear And Loathing" Gilliam's Vancouver-lensed "The Imaginarium of Doctor Parnassus".

The session was recorded live via source-connect directly to Art4noise Studios in London England.

Plummer has won two Emmy Awards out of six nominations stretching 46 years from 1959 and 2005, and one Genie Award in five nominations from 1980 to 2004. For his stage work, Plummer has racked up two Tony Awards on six nominations. In 1968 he was a made a Companion of the Order of Canada, the country's highest civilian honour.

"The Imaginarium of Doctor Parnassus", the upcoming fantasy-adventure mystery starring actor Heath ledger in his last film role, was written by Gilliam and Charles McKeown.

Premise of the film has the leader of a traveling theater troupe, cut a deal with a demon to abduct abduct audience members through a magic mirror...

VIFF 23rd Annual Film & Television Forum...

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The VIFF's 23rd Annual Film and Television Forum gets down to the serious business of financing and distribution with a world-class line-up of heavy hitters from around the globe. From co-venturing with the US to international co-productions with Ireland, Germany and Mexico, this year's seminars, Tête-à-tête meetings and Speed Dating sessions explore the innovative new paradigms in the shifting worlds of financing, distribution and marketing.

"With various major US distributors shutting down, and dwindling production dollars, it has never been more important for producers to explore new production partnerships and alternative forms of financing. The Forum presents an ideal opportunity for local producers and filmmakers to meet with key Canadian and international financing, distribution and production partners," says Forum Creative Director, Helen du Toit.

DOC Day - In Market Check: Commissioning Editors, Buyers and Funders, industry leading players including Rudy Buttignol of Knowledge Network, Scott Hooker of MSNBC and Jean-Pierre Laurendeau, of Canal D., Astral Media will advise our filmmakers on how to secure their share of the market in this multi-channel, multi-media and multiplex universe.

FILM Day - World Sales Update: Is The Sky Really Falling? features Alex Raffe (Flower and Garnet), Suraj Gohill (CIT Group, Entertainment Finance) and Nicolas Chartier (My Big Fat Greek Wedding) presenting a diversity of viewpoints on theatrical windows, indie budgets and digital distribution. Co-Production Partners: Mexico, Ireland & Germany has producers Pablo Cruz (Canana Films), David Collins (Samson Films) and Steffen Reuter (SchmidtzKatze Filmkollektiv) discussing how to forge co-production relationships with international partners in order to mitigate current market challenges.

TV Day - On Series That Have Legs, Tara Ellis (VP, Showcase and Drama Content, Canwest Media), the network creative force behind success stories like Slings & Arrows and Brett Weitz, (VP, Series Development, TNT Originals), developer of Prison Break, and Beauty and the Geek discuss how to create engaging series that resonate with viewers beyond our borders.

On the ever-popular New Filmmakers' Day session, The Times They Are A-Changin' panel serves up two unique perspectives. Matt Dentler, Head of Marketing & Programming at Cinetic Rights Management offers sage advice in steering a film through the legal complexities of the process while Lance Hammer, Director of Ballast will explain why he turned down a major distribution deal in favour of self-releasing.

Getting down to the hands-on business of structuring actual deals, the very successful Telefilm Canada Tête-à-tête Sessions bring together Western Canadian producers with top-tier international producers, sales agents and commissioning editors in one-on-one meetings. These popular, highly focused private sessions will allow established Canadian producers to pitch specific pre-selected projects with the intention of finding the optimal strategic partner to propel their projects from development to fully financed and camera-ready. Similarly, this year's Speed Dating Sessions will allow emerging Western Canadian filmmakers to pitch their projects and find potential partners in private one-on-one sessions with some of BC's most respected senior film and television executives.

The 23rd annual Film and Television Forum takes place in the Rogers Industry Centre at the Vancouver International Film Centre and Vancity Theatre, 1181 Seymour Street, September 24-26 with New Filmmakers' Day on September 27...

"Smallville": Toxic- October 2..

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"Battlestar Galactica": Origins...

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A special origin series focusing on 'Kara' and 'Helo', from the academy to their assignment onboard the 'Galactica'...

Dec 12: "The Day The Earth Stood Still" For IMAX...

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IMAX Corporation and Twentieth Century Fox have announced that the Vancouver-lensed feature, "The Day the Earth Stood Still", directed by Scott Dickerson, starring actors Keanu Reeves, Jennifer Connelly, Kathy Bates, John Cleese and Jaden Smith, will be simultaneously released to both IMAX and conventional theatres, December 12, 2008.

A remake of the 1951 classic sci-fi feature about an alien visitor and his giant robot counterpart 'Gort', the film will be digitally re-mastered into the image/sound quality of 'The IMAX Experience' with proprietary IMAX DMR (Digital Re-mastering) technology.

"The suspense, action and sheer intensity of 'The Day the Earth Stood Still' is ideally suited to IMAX's immersive format," said Bruce Snyder, President, Domestic Distribution, Twentieth Century Fox.

"We're very excited to once again expand our relationship with IMAX to offer moviegoers a chance to experience another one of our tent-pole movies in a truly unique and premium way."

"Completing our 2008 slate with this action title is a great way to enter the holiday season and kick off 2009," said IMAX Co-CEO's Richard L. Gelfond and Bradley J. Wechsler.

"With the ongoing rollout of IMAX digital theatres, we expect that on December 12th the size of our network will be considerably larger than it is today, which is good for IMAX, exhibitors in the IMAX business, our partners at Fox and, of course, moviegoers."

"We're thrilled to once again be back in business with Fox with another big holiday release," added Greg Foster, Chairman and President of IMAX Filmed Entertainment.

"We expect an action-packed film like this to appeal a wide audience, including the elusive tech-savvy 15 - 30 year-old demographic. With crystal clear images, IMAX's powerful digital surround sound and immersive theatre geometry, the earth certainly won't feel like its standing still in IMAX's theatres on December 12th..."

VIFF 2008 Takes A Look @ "Blindness"...

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The Canadian co-pro "Blindness" will open the 27th Vancouver International Film Festival (VIFF), September 25th.

Based on the novel by Portuguese author José Saramago, "Blindness" is directed by Fernando Meirelles from a screenplay by actor Don McKellar.
Co-starring actors Julianne Moore and Mark Ruffalo, "Blindness" was the opening film at this year's Cannes Film Festival...

"Battlestar Galactica" : Season Zero...

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"Smallville: Odyssey"- September 18...

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"Odyssey" is the season opening episode of the Vancouver-lensed, CW superhero TV series "Smallville" with actors Justin Hartley returning as 'Oliver Queen/Green Arrow', Alan Ritchson, making his third appearance as 'Aquaman' and Alaina Huffman as 'Black Canary'.

In the episode, the 'Justice League', led by 'Green Arrow', travel to the Artic in search of 'Clark', who disappeared after his 'fortress' collapsed, confronting the new CEO of 'Luthorcorp', 'Tess Mercer'...

'Supergirl' Ties Up "Smallville" Run...

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According to reports from Toronto's "Fan Expo", actress Laura Vandervoort, who played 'Kara', aka "Supergirl", in Season 7 of the Vancouver-lensed, CW TV series "Smallville", will be featured in a Season 8 episode.

"In October, I'm shooting," Vandervoort said during a fan panel alongside actor Michael "Lex Luthor" Rosenbaum.

"They've asked me to tie up my storyline...."

Sci Fi Greenlights "Stargate Atlantis" Movie...

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"...Building upon the successful "Stargate" franchise, SCI FI Channel today announced it has greenlit a two-hour movie based on the hit science fiction adventure series "Stargate Atlantis."

SCI FI will have the exclusive worldwide television premiere of the yet to be titled "Stargate Atlantis" film, which will then be released on DVD by MGM.

The movie will be written by "Stargate Atlantis'" executive producers Joseph Mallozzi and Paul Mullie, who also serve as series showrunners.

The movie is set to follow the fifth and final season of "Stargate Atlantis," as it draws to its thrilling conclusion in January 2009.

"We're excited to tell 'Atlantis' stories on a bigger canvas. The successes of the two original 'Stargate' DTV movies 'The Ark of Truth' and 'Continuum' have shown us the opportunities that the movie format offers. We have plans for both 'SG-1' and 'Atlantis' to remain vital as we expand the franchise," said Brad Wright and Robert C. Cooper, co-creators of "Stargate SG-1" and "Stargate Atlantis" and who both currently serve as executive producers on "Atlantis."

"We share in the producers' enthusiasm to move forward in this direction and we look forward to a strong and continued relationship on 'Stargate Atlantis' in this new format," said Thomas Vitale, Senior Vice President Programming & Original Movies.

"Stargate Atlantis" follows the adventures of an intrepid team of military and civilian explorers who travel the distant Pegasus galaxy by means of a Stargate, a portal created long ago by a highly advanced alien civilization called the Ancients. In their never-ending quest to seek out other technologies left behind by the Ancients, the Atlantis team encounters alien cultures some friend, some foe.

The series will reach a milestone with the 100th episode airing in January 2009.

"Atlantis" is executive produced by Brad Wright, Robert C. Cooper, Joseph Mallozzi, Paul Mullie, Carl Binder, and Martin Gero. Mallozzi and Mullie share the reins as showrunners...".

BC-Filmed "Elegy" Opens In Vancouver August 29...

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VIFF 2008: September 25 to October 10...

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The 27th annual Vancouver International Film Festival (VIFF) will be held from September 25 to October 10, 2008.

"...VIFF is delighted to be able to bring to Vancouver many of the top prize-winners from the major world film festivals. Acclaimed earlier this year at Cannes were THREE MONKEYS (Turkey), for which Nuri Bilge Ceylan won the Best Director award; IL DIVO, by Paolo Sorrentino, which won a Jury Prize; A CHRISTMAS TALE (France) by Arnaud Desplechin, which won a Special Prize; TULPAN Russia/Kazakhstan/Germany/Switzerland/Poland), by Sergey Dvortsevoy, which won the Best Film prize in the Un Certain Regard sidebar; CLOUD 9 (Germany) by Andreas Dresen, which won the Cannes’ Heart Throb Jury Prize; HUNGER (UK), by Steve McQueen, which won the Camera d’Or; and NEXT FLOOR (Canada), a short by Quebec’s Denis Villeneuve, which won top prize for shorts at Cannes.

Sundance prize winners coming to VIFF include CAPTAIN ABU RAED (Jordan/USA), by Amin Matalqa, which won the World Cinema Audience Award and BALLAST (USA), by Lance Hammer, which won the Directing Award.

Winners from the Tribeca Film Festival include LET THE RIGHT ONE IN (Sweden), by Tomas Alfredson, which won Best Narrative Feature, MY MARLON AND BRANDO (Turkey), winner of the Best New Narrative Filmmaker prize for Hüseyin Karabey, and OLD MAN BEBO (Spain), which garnered the won Best New Documentary Filmmaker award for Carlos Carcas.

VIFF is also screening some Berlin Film Festival winners, including THE SONG OF SPARROWS (Iran), by Majid Majidi, which took Best Actor honours for Reza Najie, and HAPPY-GO-LUCKY (UK), by Mike Leigh, which netted Best Actress honours for Sally Hawkins. I’VE LOVED YOU SO LONG (France), by Philippe Claudel, took the Ecumenical Jury Prize and the Berliner Morgenpost Readers Jury prize, while CORRIDOR #8 (Bulgaria), by Boris Despodov, took the Forum Award. REVANCHE (Austria), by Götz Spielmann, won the Panorama, the Label Europa Cinemas and Femina Film Awards. BE LIKE OTHERS (Iran/Canada/UK/USA), by Tanaz Eshaghian, took the Teddy Awards Jury Prize and The ELSE Siegessäule Reader’s Choice Award. The Youth Jury gave special mention to SITA SINGS THE BLUES (USA), by Nina Paley.

New Series: “The Ark: Elements and Animals”

Our environmental film series offers a rich spectrum of documentary and fiction films that demonstrate cinematic artistry, new perspectives and fresh information about nature and our place in it. Rather than the "Climate for Change" banner we used to present last year’s sidebar (with its dominant theme of global warming and peak oil) this year’s program is called The Ark: Elements and Animals. The series is highlighted by films that explore the fate of our most precious element—water—and by films that allow us to reflect on our historical co-existence with animals. The ethics of sharing the planet with many other orders of being and the lines between domestication and wildness have never needed to be better understood. These films will both charm and provoke a lot of discussion.

A concern with the commodification of water takes centre stage with the World Premiere of director Sam Bozzo’s documentary based on Maude Barlow and Tony Clarke’s book BLUE GOLD: WORLD WATER WARS (USA/Canada), as well as in Sanjeev Chatterjee and Ali Habashi’s ONE WATER (USA).

Before Maude Barlow there was Rachel Carson, whose book Silent Spring helped launch the environmental movement. Christopher Monger’s film A SENSE OF WONDER (USA) recreates Carson’s last days.

A retreat to the land and to a simpler way of life is professed in a number of films, from Molly Dineen’s passionate lament for the disappearing small farmer in England in THE LIE OF THE LAND (UK), this year’s BAFTA documentary winner. Gerard Ungerman and Audrey Brohy’s BELONGING (Canada) draws explicit connections between the parasitic approach humans have taken towards the natural world and current environmental repercussions. An ancient way of life in Wales is vanishing, one aged resident at a time, in Gideon Koppel’s SLEEP FURIOUSLY (Wales). On the other hand, an optimistic vision of Africa fills Brice Láine’s debut film, THE DANCING FOREST (UK).

From factories and landfills to India and the Pacific Ocean, find out where your plastic goes in Ian Connacher’s ADDICTED TO PLASTIC! THE RISE AND DEMISE OF A MODERN MIRACLE (Canada).

THE LOST COLONY (Netherlands) is Astrid Bussink’s film on the once great Sukhum Primate Centre in Abkhazia, contrasting scenes of loveliness with archival footage of Soviet-era science. PEACE WITH SEALS (Czech Republic/Italy) is Miloslav Novak’s search for the elusive basking monk seal, which is quickly losing ground to basking humans.

Though Montreal prides itself on reinventing the modern animal-free circus, the traditional circus still survives in some places. For nine generations, the Rosaire family toured the world with their legendary circus, but their troupe has become a victim of changing. Robyn Bliley’s documentary CIRCUS ROSAIRE (USA) traces the family’s history. Harris Fishman's singular documentary CAT DANCERS (USA) chronicles the lives of Ron and Joy Holiday, a pioneering exotic-cat entertainment act.

Together, these remarkable films reframe our place in nature and our options for a more sustainable planet.

Nonfiction Features

An amazing one-third of the Vancouver International Film Festival is nonfiction; fully 100 documentaries will be presented, drawing audience of some 50,000 people. Whether the subject is arts, politics or the intensely personal, nonfiction cinema is made from the heart and has attained a general standard of excellence that eludes all but the cream of the fiction crop. That’s why, since 1992, the VIFF has given the most cinematic of documentary and essay films front-and-centre status, and it is also why the VIFF is now internationally recognized as one of the world’s largest and most successful showcases of nonfiction cinema in a general festival context. These films are not only enlightening and entertaining; they have the power to renew one’s hope in the possibility of positive change in our world.

Arts & Letters

Within our Nonfiction series are a wonderful array of films on Arts and Letters. Music films take us all over the world, beginning at the dawn of music recording with Philip Scheffner’s THE HALFMOON FILES (Germany), a film haunted by the ghosts of aural history that takes us to a WWI POW camp near Berlin where colonial prisoners’ songs were recorded for a vast archive of world song still preserved at Humboldt University. TALKING GUITARS (Netherlands/USA), by Claire Pijman, shows us the master luthier and repairman, Flip Scipio, with his celebrity clients, from David Lindley and Jackson Browne to Ry Cooder. Fans of the popular Buena Vista Social Club might delight in CAFÉ DE LOS MAESTROS (Argentina/USA/Brazil), by Miguel Kohan, which reunites legendary Argentinian tango musicians, or THROW DOWN YOUR HEART (USA), by Sascha Paladino, which follows Bela Fleck’s journey to Africa to jam with master musicians from Mali to Tanzania.

YOUSSOU N’DOUR: RETURN TO GOREE (Switzerland/Luxembourg), by Pierre-Yves Borgeaud, traces the music through Africa to today’s jazz musicians. TEAK LEAVES AT THE TEMPLES (Indonesia), by Garin Nugroho, combines ancient Javanese music with free jazz. WILD COMBINATION: A PORTRAIT OF ARTHUR RUSSELL (USA), by Matt Wolf, shows the iconoclast in archival footage as well as interviews with Allen Ginsberg and Philip Glass. OLD MAN BEBO (Spain), by Carlos Carcas, follows Bebo Valdes on his legendary return to Cuba after 40 years in Europe. CELIA THE QUEEN (USA) is Joe Cardona and Mario de Varona’s tribute to the queen of salsa. THE WRECKING CREW (USA), by Denny Tedesco, takes us behind the scenes and back in time to the most-heard and least-seen studio band responsible for creating the hits and the iconic sounds of the 60s. TRIP TO ASIA – THE QUEST FOR HARMONY (Germany), by Thomas Grube, follows the Berlin Philharmonic’s trip through Asia. DANCING WITH TIME (Germany), by Trevor Peters, revisits four dancers nearing their 80s in Europe.

Architecture on film this year shows us the story behind the summer Olympic’s unique centre-piece venue. BIRD’S NEST: HERZOG & DE MEURON IN CHINA (Switzerland), by Christoph Schaub and Michael Schindhelm, documents the engineering feats and cross cultural intrigues that resulted in this architectural marvel. In Heinz Emigholz’s LOOS ORNAMENTAL (Austria) cinema is used to meditate on the work of modernist architectural master Adolf Loos.

Nonfiction Highlights

The best of several new films from Nepal is Ishbel Whitaker’s THE LIVING GODDESS (UK). Eight-year-old Sajani is considered the living embodiment of the Goddess Kali. She's also an ordinary kid who likes candy and video games. In DONKEY IN LAHORE (Australia), by Faramarz K-Rahber, an ex-Goth puppeteer from Australia finds love in Pakistan, converts to Islam and embarks on a culture-shock journey to try and fulfill his desires. One of the most influential Muslims of the 20th century is profiled in Georg Misch’s A ROAD TO MECCA: THE JOURNEY OF MOHAMMED ASAD (Austria). Asad was born an Austrian Jew and led an amazing life that had him, among other things, helping with the establishment of the country of Pakistan. THE INFINITE BORDER (Mexico) is Juan Manuel Sepúlveda’s insider’s look at the tribulations faced by Latin Americans trying to start a new life by jumping the US border. In MY LIFE INSIDE (Mexico) Lucía Gajá tells the heartwrenching story of an illegal immigrant in Texas serving life behing bars after a tragic accident. Post-Katrina, Dawn Logsdon and Lolis Eric Elie’s FAUBOURG TREMÉ: THE UNTOLD STORY OF BLACK NEW ORLEANS (USA) tells the stories behind New Orlean’s Sixth Ward, the now-impoverished birthplace of the civil rights movement and American jazz.

An enduring relationship between novelist Christopher Isherwood and artist Don Bachardy is celebrated in Guido Santi’s and Tina Mascara’s CHRIS AND DON: A LOVE STORY (USA/Ireland), whih features home movies of friends Tennessee Williams, Igor Stravinsky and Paul Bowles. Being gay in Iran is against the law – and the subject of much abuse – but sex changes are not. Tanaz Eshaghian’s Berlin prize-winner BE LIKE OTHERS (Iran/Canada/UK/USA) provides an intimate look at Iranian sexual politics. Rithy Panh’s (S21: The Khmer Rouge Killing Machine) PAPER CANNOT WRAP UP EMBERS (Cambodia/France) is a heartbreaking portrait of prostitutes in Cambodia. Artist Kathy Acker's post-feminist work, in the words of one critic, had "something to offend everybody.” She is profiled in Barbara Caspar’s WHO IS AFRAID OF KATHY ACKER? (Austria). Peter Woditsch’s SECRET MUSEUMS (Belgium) exposes some of the world's largest collections of erotic art, housed in the Vatican, the Louvre, the British Museum and the Hermitage.

From a European perspective, Daniel Mermet and Olivier Azam celebrate critical thinking in CHOMSKY AND CO. (France), a film that folds in commentary from several other leading anti-establishment intellectuals. Based on John Perkins' best-selling book, Stelios Koiloglou’s APOLOGY OF AN ECONOMIC HITMAN (Greece) is a fierce exposé of the secret history and dubious practices of a highly secretive economic cabal created to foster the triumph of the American global empire. Rudy Joffroy’s THE FALLEN: A SILENT COLLAPSE (Mexico) reveals the corporate and government collusion in the deaths of 63 miners lost at the Pasta de Conchos coal mine in Mexico.

In Clayton Brown and Monica Ross’ THE ATOM SMASHERS (USA), rival American and European physicists race to discover sub-atomic particles that may help to explain the very nature of the universe itself.

Mouthwatering cuisine is the delicious subject in José Luis López-Linares’ THE CHICKEN, THE FISH AND THE KING CRAB (Spain), a chronicle of the world’s top culinary competition, the Bocuse d'Or (2007 edition).

In addition, the VIFF is very happy to present the winner of the CICAE Award from the Cannes Film Festival's Directors' Fortnight, Juraj Lehotsky’s BLIND LOVES (Slovakia), a ravishing documentary mixing whimsical animation and the real lives of four blind people who have overcome their so-called ‘disabilities’ and found both love and life.

THE 2008 VIFF FILM SERIES AND AWARDS

VIFF 2008 offers films in the following series:

Nonfiction Features (see film descriptions above)

The Ark: Elements and Animals (see film descriptions above)

Dragons and Tigers: The Cinemas of East Asia — The largest annual exhibition of East Asian films outside of Asia is internationally recognized as one of the most significant in the world, and attracts a strong list of filmmakers, distributors, film critics and scholars each year. This ongoing major focus highlights the cutting-edge film and video work from South Korea, Japan, Taiwan, China, Hong Kong, Indonesia, the Philippines and Thailand. Begun in 1985, this focus addresses the continued excellence in East Asian cinema, Vancouver's key geographic position as the gateway to the East, its unique ethnic mix and the many initiatives taken by all levels of government to enhance economic and cultural ties between Western Canada and the Pacific Rim. The Dragons and Tigers series is programmed by London-based Asian film expert Tony Rayns and Beijing-based Torontonian Shelly Kraicer, a respected scholar of Chinese cinema.

Canadian Images — Each year the best current features, documentaries and shorts from all regions of Canada are presented in what has become one of the largest annual public exhibitions of new Canadian film in the world. From an average of more than 600 submissions, our programmers select the top 100, and the Vancouver public responds very enthusiastically, making this one of our best-attended series. Canadian Images along with our Film & Television Forum help make the VIFF the most important event in the region for industry development and exhibition.

Cinema of Our Time — Our international section is comprised of the year’s most innovative and exciting cinematic developments from around the globe. With a selection of works from more than 30 countries—including all of the major (and many soon to be major) film producing nations—“Cinema of Our Time” is the place to see the very best films from the world’s leading contemporary auteurs, award-winning cinema from the most prestigious film festivals, including Cannes, Berlin and Venice, and exclusive premieres of some of the most highly anticipated features that will hit cinemas later in the year.

Spotlight on France — This ongoing series highlights the fertile cinematic culture that is still very much alive and well in France, owing to its rich heritage in cinematographic art. Since 1997 our series has been presenting about 10 to 15 films each year, including both indigenous productions and co-productions with other countries. It aims to reflect the range and diversity of talent, new and old, working in that country today. Within the series, we aim to achieve a balance by programming films dealing with a variety of subject matter and genres that reflect different regional representations, and showcase the works of both veteran and neophyte filmmakers.

Adjudicated Awards
Dragons & Tigers Award for Young Cinema, sponsored by Brad Birarda ($10,000)
Citytv Western Canada Feature Film Award ($12,000)
Most Promising Director of a Canadian Short Film Award ($2000 + Avid Media Composer Software valued at $2500)
VIFF Nonfiction Feature Award
Women in Film & Television Vancouver Award

Audience Awards
Rogers People's Choice Award for Most Popular Film
VIFF Most Popular Canadian Film Award
documentary Audience Choice Award for Most Popular Documentary
NFB Most Popular Canadian Documentary Award
VIFF Environmental Film Award

Scope

The VIFF is among the largest film festivals in North America, and is one of the largest cultural events in Canada. An autumn fixture on the international film festival calendar, this outstanding festival is a microcosm of its home city: cosmopolitan, innovative, friendly, culturally complex and very accessible.

An estimated 150,000 people are expected to attend approximately 575 screenings of 350 films from more than 60 countries.

Many more features and shorts will soon be announced. The Sneak Preview Guide will be available August 30. The complete program, including the festival schedule, film descriptions and photos, goes online at www.viff.org on September 6. Film information also is available via the festival info line at 604-683-FILM (3456) from September 4 to October 10, 9 a.m. to 9 p.m. daily. Visa cardholders may buy tickets and passes one week ahead of the general public starting September 6, at www.viff.org anytime or, from noon to 7 p.m. daily, by phone at 604-685-8297 or in person at the Vancity Theatre, 1181 Seymour St. The Souvenir Program Guide will be available at noon on September 12. The box office opens to the public starting September 13..."

Dynamite's "Battlestar Galactica"...

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"Supernatural" British Columbia...

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"Battlestar Galactica": Ghosts...

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'The Ghost Squadron', a black-ops 'Viper' team that calls 'Pegasus' home, and the freelance salvage team from 'Orion's Pride' come to grips with a 'Cylon' dominated galaxy...

Keanu Barada Nikto...

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"Battlestar Galactica": Special Event...

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SCI FI Channel has announced an all-new "Battlestar Galactica" special event, set to air in 2009 following the conclusion of the Vancouver-lensed series and then released on DVD by Universal Studios Home Entertainment.

Directed by series star Edward James Olmos and written by Jane Espenson, the two-hour event will begin shooting in Vancouver at the end of this summer.

The cast includes Michael Trucco, Aaron Douglas and Dean Stockwell, with more to be announced in the coming weeks.

"...Starting before the events of the miniseries, our story focuses on familiar characters including Cylon Number One, known as Cavil (Stockwell), Resistance Leader Sam T. Anders (Trucco) and Chief Galen Tyrol (Douglas). In the beginning, the Cylons had a plan, but it didn't account for one thing: survivors. During the chaotic aftermath of the destruction, two powerful Cylon agents struggle with plots and priorities on the human ships that got away, and among the resistance fighters who were left behind...".

The series is from Universal Cable Productions and is executive produced by David Eick.

The final 10 episodes of "Battlestar Galactica" will begin airing on SCI FI Channel in 2009...

We Watch The "Watchmen"...

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Charlize Fights "The Battle In Seattle"...

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"Battlestar Galactica": Season Zero...

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Sneak Peek "The Day The Earth Stood Still"...

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